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Jamie of Old World Vulture call in from St. Catharines

Interviews
03 October 2012

Hello and I hope the sun is shining where you are. Where actually are you today?

Three of us are slaving away at day jobs underneath an overcast sky in Toronto. The other one is probably still in bed in St. Catharines, Ontario. (This answer was written at 1:20pm.)


How would you describe your sound for people that have not heard your music yet?

A friend once described our sound as "kit-bashed spaceship rock," which more or less sums it up. We'd stuff the word "instrumental" into that description somewhere to be completely accurate.

What was the spark that made up your mind to make music your career?

Let's replace "career" with "expensive hobby" and we can answer that one for you honestly. We approach the band like a full-time job in many ways, but we're completely independent and self-funded. At the core, the four of us just love playing music together. We're all friends, and the creative machine happens to chug along naturally. Everyone needs an outlet to offset the mundane of the day-to-day. Some people join house-league softball teams or play darts. We write songs and play really loud music.


Canada has been feted over recent years as the epicentre of great music. That title seems to rest with Brooklyn at the moment but, how is the music landscape in Canada today, including the retail environment for music sales?

In a nutshell, Canada can be broken down into four major musical areas: Vancouver, Toronto, Montreal and Halifax. Each city has been responsible for exporting some major international talent and nurturing really healthy scenes, for lack of a better word. But then you have great bands like Attack in Black who emerged from a tiny city like Welland, Ontario or The Constantines who call the rural town of Guelph, Ontario home that were able to make a major mark on the Canadian musical landscape without ties to any major metropolis. So go figure. There seems to be a very blue-collar mentality to making music in Canada. Were not afraid to roll up our sleeves and get our hands dirty. Hard work often pays off in every way.

 

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An Interview with Josh Korody of Toronto's Breeze

Interviews
25 September 2012

So Hi there, how the devil are you today? 

I feel good, a bit tired, I Had a long weekend, I played Pop Montreal and the next day one of my oldest friends got married outside of Hamilton, On. Had lots of fun though. 

 

How did the band come together and with what ambitions? 

 

It wasn’t planned really, it kind of came out of nowhere for me but thinking back on it, it was definitely a combination of things that sparked it. This year has been an interesting one, I recently co-built a recording studio with Leon Taheny (Dusted/Final Fantasy) that took up at least half my year and doing 17 hours of building/running around every day made me not really have the energy to write a lot.

 

 On top of that both bands I’m/was in had just finished full length albums and when you’re not in a huge band with much back support, it can be a slow stretch to start getting the record out there and doing something with it.I didn’t want to write specifically for either bands that soon because we had each had a whole album worth of stuff that we might have to tour soon and want to play material off the album.

 

After a long winter/early spring of getting the studio ready one of the first weekends I had to myself I plugged in my guitar, a delay pedal and a microphone into a little amp in our new tall ceilinged live room and was so at ease and felt like I had nothing to lose of what would come out, and after a few hours I had sketches for at least 5-6 songs.

 

My band Beliefs is all co-writen with my roommate Jesse Crowe and I was mostly now playing drums in Elk, so it made sense to have something where it was just me creating it, I just needed to do it. I wanted to play a show and quickly Kyle Connolly in Elk offered to play bass and I asked my friend Shawn Dell (who mentioned a few times wanted to do music together eventually) to play drums.

 

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An interview with Abi Wade

Interviews
13 September 2012

Hi Abi, how the devil are you today and what is the view from where you are sitting?

Hello! I'm great thank you. I'm in the car going to play at End of the Road festival in Dorset, I'm going to be there all weekend, so I'm hoping to squeeze a few impromptu shows in as well as my official one in the Tipi Tent. We're currently in a supermarket car park stocking up for the weekend, so the view isn't worth mentioning unfortunately.

When was the first time that you realised music was going to be your career and what was it that lit the spark for you to make that decision?

I've always loved and played music, I guess I have my older brother to thank. He started the piano but swiftly gave up so when I came along there was already an instrument in the house. Nobody in my immediate family played anything so I would write silly songs on the piano bar the occasional visit from my gran who would teach me duets. I always felt the urge to play music so I guess I had no choice really! 

Your bio says “Abi Wade (cello.box.voice): a musical collaboration between limbs, strings and vocal chords”. That sounds quite a feat. Why did you choose those instruments particularly?

I have always written songs, first little pieces on the piano and then songs on the guitar. At Uni I started experimenting with writing songs on the cello and studying music & visual art I went all art school on the it hence, the crazy percussion. Everything else fell into place as and when I felt I needed it told/ could afford it! The bass drum sound to drive it and the tambourine and block to add lifts to the general sound.  

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Mat from Stratus talks to the Rock Club

Interviews
06 September 2012

Hi how you are today and where are you?

I'm at home editing a video for Where Do You Go?  It’s off the new album and it's coming together. 
 

How did Stratus get together and become a band? 

Martin and I worked at Milo recording studios in Hoxton in the mid 90s - he was a sound engineer and recorded some tracks for my label Fragments under the alias Jackal. We collaborated on a few other bits and then we did a remix for someone that didn't get used so we stripped away their parts and re-worked it -  the end result was Uplink, our debut track as Stratus. 

 

What does being a musician mean to you, does it feel like you are living the dream?

 

I'm never happier than when inspiration hits and I'm writing new material but after years of doing it I know that when you're in the musical doldrums you just have to wait it out... and that the pub is not necessarily the best place to search for the muse. 

 

How easy is it to fund the recording of an album and do you think that organisations like Pledge Music and Kickstarter are the way forward when getting a record made?

 

It depends on the nature of the release - with a small budget we can't record strings at Abbey Road or hire an original Mellotron for a recording but we can do an awful lot more inside the box now. Sometimes limitations can be an advantage - if you only have one day in the studio to put drums on five tracks you just go and get it done. Have a week to play with and you might waste a day fiddling about with mic placement or knock off early for a swift one. I've never looked at those sites for fund-raising - sure they're probably great resources but thus far if we need budget for a release we go and work the day jobs.

 

 

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An Interview with Gary Parkinson ofAnglo-Welsh-American psychedelic rockers Howl Griff

Interviews
27 August 2012

Hi, and how are you today, what does the day ahead hold for you?

GP: Sunny and clear as the blue skies. I'm off charity shopping; not shopping for charities, that would be daft, but going to charity shops, checking for vinyl albums and non-vinyl shirts. And books.

First off the artwork on your album, Fragile Diamond, website and twitter page is fabulous, how did that come about and who designed it?

GP: Our variously talented drummer Nick Moore designs all the animals that have adorned our sleeves - Catdog, Bluebird, and now Sharkduck. Sometimes they're mash-ups of animals - like Octomonkey! - but not always. We just let him create a few, choose the best, and then "Griff takes the raw 'Mooroanimal' image and fully designs the cover, adding other stylistic elements, putting them on a background and choosing fonts, that sort of thing. It gives us a good visual identity, which is important – any band can stand around looking moody for a camera, but our 'cartoon animals' imagery raises some more interesting questions. Besides, I'm not sure people want to look at us... Pink Floyd were never on their covers, were they?

Anglo-Welsh-American, that's a mix, how did the band get together?

GP: Griff's from Aberystwyth, and come to London to make music. He met Nick, who's from Merseyside. Nick knew me (I'm from Bolton in Lancashire). We had a Tasmanian bassist but he went home, so we advertised and one of Griff's mates recommended Steve Kennedy: Texas-born, with all the politeness of a Southern gentleman, but has spent more time in California, with the openness and creativity that can bring.

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An Interview with Paul Murphy of Wintersleep

Interviews
20 August 2012

Hi there, where are you today and is the sun shining?
Montreal and no the sun is not shining. A little wet and dreary, but being from Nova Scotia I was getting worried about the 2 weeks of straight sunshine and 36 Celsius temperatures that came before this day, so it comes as a relief. 
 

Fifth (?) album, do you still feel as ‘fresh as daises’ being in this business?


Haha! I don't know if daisies would be the metaphor I would associate most within the plant kingdom. I've always though of us as more of a tough shrub. I guess we're still learning lots of things and having fun as we go along though, so there is an element of "freshness" either way.

 

What do you think are the major changes on ‘Hello Hum’ and where did the album title come from?


I think perhaps the most noticeable difference is the Fridmann mix, which is quite a lot more psychedelic than our previous records, and stranger, & just immense & sort of its own universe. A very significant difference maker too was the collaboration this time around with Dave Fridmann & Tony Doogan on the production side. We had a lot more home time with this record, when we were working on it in the initial song writing stages, as well as extra time actually recording and mixing it. I think there is something a little more comfortable about it, or "fleshed out" about it, probably due to all those aspects.

 

 

 

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An interview with bassist and singer Daniel Fernandez of Lüger

Interviews
08 August 2012

How do you find people react when seeing the band perform for the first time? 

To be frank while we're playing we're not looking at audience reaction though it's true most seem engrossed in our percussionist. half naked, hitting the floor tom as if there was no tomorrow

 

What is the Madrid music scene like?

 

Nowadays I think there are some very good bands, with a wide variety of sounds and different influences, but I don't think there is a proper scene just yet.

 

Do you personally feel close to any other band?

 

Musically we don't have much in common  with most  bands , we appreciate  the variety of bands we're seeing nowadays, we love bands like Rosvita, La Debil, Disco Las Palmeras, Jysus, Telephones Rouges, Unicornibot, Traummaschine, Siesta, Fasenuova and His Majesty the King...

 

Is psychedelic Krautrock in fashion in Spain?

 

I don't think so but, I do believe that people today are more willing  to accept certain bands or music styles than  in the past due to the internet that allows us to reach audiences in every part of the world.

 

What's your biggest achievement so far?

 

i do believe that our biggest achievement is to keep the band united, there're five of us with our jobs and daily problems and the five of us try to take time to spend the most  time we can at the rehearsal studio, I think that's the key.

 

Have you played outside of Spain?

 

During the last three years we've been lucky to have played in America, France and Belgium, as well as Milhoes de Festa in Portugal, Pietrasonica in Italy and our own Primavera Sound in Barcelona.

 

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Martin Carr in Conversation

Interviews
20 July 2012

Did you wake up this morning with a smile?

It all depends on the kind of night I've had. If we've spent the night comforting babies and listening to them cry or if I find myself trapped within the suffocating grooves/eternal loop of idee fixe, usually focusing on a small event in my past where I was faced with a fork in the road and I took the wrong one, these things can have a detrimental effect on my ante meridiam tenor but it doesn't last long. Once I'm up I'm ok and kids are great at raising the spirit. Before I had children I would get up before six anyway but in those days I had the sweet luxury of an afternoon siesta.  

*Reads question again* Oh, did I wake up this morning with a smile? No.

 

How has the new record been received and what is the idea around issuing a series of singles rather than an album?

 

 It was reviewed, it got played on the radio, it sold a few. That's what it's all about.  I can't make a whole album on my own, I've got the songs but I'm too distracted and it takes too long. Working on two songs at a time is much easier. I haven't released enough music over the last few years; I need to step it up.

 

The current single is just available digitally. With such a delightful cover, why is that and, any thoughts about a 7” Vinyl version?

 

I would love to release seven inch singles, the seven inch single is the pinnacle of human endeavour, but I can't afford the outlay. It's an ambition, no, a cacoethes! 

 

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Cameras from Sydney

Interviews
18 July 2012

Questions answered by Fraser Harvey of Cameras

Hello and how the devil are you today and what’s the view like?

I am well thank you, but I'm packing to move house, so the view is one of boxes and mess. 

So, you come from Australia, tell us about your home town / City and if there is any influence in your music, from the places you reside in or come from?

We live in Sydney. I'm sure we are influenced by this city, in some ways. Everyone associates the city with sun and beaches and things, but that's not exactly where we're coming from. 


How did you come together as a band and with what hopes/aim?

 

Eleanor (Dunlop) and myself started writing together, I don't know if we had any ambitions when we started - but I think we received enough encouragement in those initial stages to spur us on a little bit. I think the best part of that time was that we didn't have any expectations or particular aims, just to write.


Your debut album, In Your Room is out on Manimal Vinyl on 6th August.  How important do you think it is to have a record label deal as against the indie DIY approach?

 

It helps to have a label behind you, even if it's just for the extra support, but we're still very much a DIY band - we still do most things ourselves. 

 

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Naoko of Shonen Knife tells us about the band

Interviews
10 July 2012

Hello, how are you all today, and where are you?

Naoko: I'm in Osaka now. It's a nice weather. Ritsuko is in Osaka, too and Emi is in Kyoto.


The new record Pop Tunes is now out. How did the approach differ between making this album and your early albums also, did you still have the same burning ambition to make music this time around as you did in the Eighties?

Our new album "Pop Tune" became a very pop album as the title. In these 3 albums, Super Group, Free Time and Osaka Ramones, tend to like Punk but for this time I wanted to make a pop album. I never look back and am always fresh. I don't have conscious that I have burning ambition but I'm just having fun. I have a poor memory and forgot the past.


You have toured in many different countries and lots of different venues. Do you have a favourite/most memorable venue to play at overseas? How about in Japan?

Hmm... I love outdoor music festivals. I always enjoy them. We've have performed at many big rock festivals in the 90's and we played at Fuji Rock Festival in Japan last year. It was fun, too.

Is there a city/venue that you have not yet played in that you would like to?

I like to play in South America, more cities in Italy, France and summer festivals in Europe.
 

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Martin Cohen of Nine Black Alps & Milk Maid has a chat

Interviews
10 July 2012

 

 

Hello Martin and how the devil are you today?

A little stiff.  Going for a swim soon so that might help.

 

 

You are based in Manchester, still the capital of music in England?

erm, I’ve got no idea!  There are some really good bands here at the moment but that's the same everywhere if you know where to look.  We’re still waiting for a good guitar shop.

 

How and when did you decide to make music your career and with what hopes/aim?

it's kinda just happened.  I finished a course at university and then Nine Black Alps got signed a couple of months later so it wasn't really a decision.  after the last Nine Black Alps tour we did we didn't know what the band would be doing next and I wanted to keep playing music and the only way I could do that was by starting to write songs myself, so Milk Maid kinda happened by default.  Initially I just wanted to write a few songs and maybe get a live thing together.  Now I’m slowing thinking about getting another album done.

 

 

 

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david j of White Manna has a chat

Interviews
04 July 2012

Is heavy sonic psych rock the new sound of California, have the days of love & peace all run dry?

 

There is still plenty of peace and love in California, I'm stoned right now. Perhaps there is simply more urgency inherent in many current bands, not just limited to California....

 

Is that how you would describe your sound to people that had not heard your music yet?

 

If someone asks me, I usually just say psychedelic rock....

 

There are a lot of bands making a lot of noise out there, Wooden Shjips, Mogwai, Explosions in the Sky, Black Mountain what makes White Manna different?

 

We're named after a hamburger diner in New Jersey....

  

 

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Joe Lever plays Bass Guitar with Young Kato

Interviews
04 July 2012

Tell us about your band, how did you get together and how would you describe your sound for people that have not heard your music yet? 

We got together through school and stuff basically. Sam and Jack are step brothers and so kind of bought us together… half of us went to one school where we live and the other half went to another so we just kind of knew each other and wanted to start a band. I would describe our music as; big, up beat pop songs.  

 

School / College days... What was the hot music exchanged in the playground or at college? 

I remember when the Arctic Monkeys first single came out… I must have only been about 11 or 12 at the time but I remember people playing that around and thinking this is incredible - I guess the Arctic Monkeys made me want to pick up a guitar and start playing properly so that’s the thing that stands out for me. People are always telling their friends about new bands and stuff so you are always discovering new music when you’re growing up.

 

Was there any inspiration from your parent’s records collection on the music you are making today? 

I wouldn't really say it has any conscious influence in our music as a band but my parents have showed me a lot of great music from bands they were listening to when they were my age - Joy Division and stuff like that. My dad used to listen to John Peel's shows a lot on the radio so he has shown me a great deal of bands that he discovered from there. 

 

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