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Our interview with Jenks Miller of Mount Moriah

Interviews
01 February 2013

Hi and how are you today?

Hello!  I’m doing well, thanks. 

What’s is the feeling now that your latest album is complete, is there time to enjoy the moment or, is it straight on to the next project or tour?

We’ve worked hard on this record, but it’s also been a very enjoyable process.  The band had a great time recording in Nashville.  Now that the record is done, we’ve set our sights on promotion.  We’ll hit the road for a few weeks in March, including some time at South by Southwest in Austin, TX.

How would you describe your music to people that have not heard your songs yet?

Mount
Moriah plays American folk-rock, drawing influences from our favourite 1970’s Americana artists (Neil Young, Fleetwood Mac, Linda Ronstadt, etc) as well as more contemporary songwriters.  Both Heather and I come from a background in more confrontational kinds of music (Heather in Bellafea and myself in Horseback) so Mount Moriah serves as an outlet for our gentler musical inclinations.  To this end, we work very hard to keep the arrangements spare and -- more often than not -- understated.  It’s actually a challenge to play “straight”, as it were, and try to connect directly with and audience.

Where do you write and how do you decide what to write about and, does North Carolina influence your sound?

Our process varies, and usually starts at home.  One of us (usually Heather, sometimes myself) will bring a melody or a riff or a basic framework into a writing session and the band will flesh that out into a song together.  For Miracle Temple, Heather, Casey and I spent a weekend in eastern North Carolina developing the basic arrangements and talking about the direction we wanted this record to take.  Yes, I’m quite sure growing up in North Carolina has influenced all of us profoundly.  It would be hard to talk specifically about the ways our home state has influenced us because it’s such a part of who we are.

Are there any particular stories you would like to share behind the songs on the new album?

A couple of the songs we developed in those early writing sessions were particularly fun.  We were recording demos in a remote cabin in a swamp.  The location was isolated and moody, perfect for a few days of intense writing.  The song I Built a Town came to life during those sessions, and it’s one of my favourites from the record.  That one started off sounding very sparse, and we gradually built it into the more country/soul sounding version that’s on Miracle Temple.

 

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The Claw in conversation

Interviews
22 January 2013

 Well hello, how the devil are you today?

Good, thanks. Hello.

You are described as “a secretive progressive psychedelic band”. How would you describe your 
sound and what is the “secretive” bit?

'Secretive', as our identities are hidden, as in occult hidden knowledge. But I must stress we are 
not a Satanic band; we are transmitting messages from the Ancient Ones through our music & 
words. 'Progressive/Psychedelic'? 'Progressive' as in odd metres and chord progressions based on 
magickal charts, 'psychedelic' to describe the repetition and hypnotic feel of the music. Some of it is 
complex, as is the universe. 'Order & chaos': I think that sums up the sound & feel of the band.

What was the spark that brought the band together in the first place and with what ambitions?

The band was formed by Obed Marsh and Jules De Grandin in a stone circle when all stars & 
planets were aligned. At that time they were performing mere primitive chants. The Elders spoke to 
them in their sleep & a further few members were recruited. To please the mighty Elder Beings.

Who created the artwork for the EP Seize Decay?

The drummer Jules De Grandin. We humour his primitive scribbling in honour to the Elder Beings.

Any plans for an album in the near future?

The songs are now all written, the cover is almost finished & in March we enter our studio to lay 
down the tracks. The working title is ‘Mystery Sells, But Who's Buying’.

 

 

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A chat with GHXST From New York

Interviews
22 January 2013

GHXST reside in Brooklyn and are Shelley X, Chris Wild and Nathan La Guerra  and they play “Doom Grunge”

 

Hi and how are you today? 

SX: hey Rock Club! 

Where did your band name come from?

SX: GHOST w/ an X

How did the three of you come to be in a band together and with what ambitions?

SX: We met in Cali and played around separately for a while before we finally formed GHXST in NYC. As people we’re pretty different, but we share an alternative spirit / existential angst that feels really crazy and special.

How would to describe your sound for people yet to hear your music?

CW: doom grunge 

Are you still based in New York and if so, how is the music scene there, does Brooklyn still rule the roost and, how easy is it to get a gig in your home city?

CW: NYC’s still home for us... and definitely the best shows to play are the intimate/one-off parties you throw for fun

 

 

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Laurence Made Me Cry - an interview

Interviews
18 January 2013

Hi Jo, how are you today?

 

LMMC: I am very well thanks! Just had the delivery of my album CDs and they look amazing. Very pleased!

 

Where did ‘Laurence Made Me Cry’ as a name come from and why not just release music under your own name?

 

LMMC: The name was a headline in a tabloid newspaper quite a few years ago. I was working in a record store and was reading a paper someone had left behind during my lunch break. I spotted the headline ‘LAURENCE MADE ME CRY’ and it instantly occurred to me that it would be a great band name! The news story was about Laurence Llewelyn-Bowen ruining a poor woman’s house in ‘Changing Rooms’!

 

Performing under a band name allows me more freedom to do things a little more out of the ordinary I guess. I know I feel more comfortable, might have something to do with my shyness. LMMC is a bit of a project too which incorporates art and poetry so it just feels more appropriate.

 

What was the spark that made you decide music was going to be your career and did you consider any other careers seriously?

 

LMMC: The story goes that one of my first words was “drums”. I highly doubt this but it’s a good story! I’ve loved music from as far back as I can remember and it seemed natural for me to pursue it. I think one of the sparks was getting into rock music just before entering secondary school. I’d started learning drums by then and it didn’t take long before I was teaching myself guitar and starting to write my own songs.

 

Music has always been my career in one form or another although at the moment I’m currently a freelance illustrator which is also a creative field. It’s tougher than it sounds being self-employed! Before that I spent quite a few years working in record stores and then I taught drums. Even my illustrations are usually music themed!

 

How would to describe your sound for people yet to hear your music?

 

LMMC: Quirky lo-fi folk pop that is honest, sometimes melancholic and usually a little over to the left.

 

 

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An Interview with Ivan Doroschuk, lead singer & songwriter of Men Without Hats

Interviews
17 January 2013

Hi there guys, how are you today and where are you?

Hey, we're doing very well thank you, I'm in Victoria BC Canada, on Vancouver Island, near Seattle

 

How does it feel still to be in the band after all these years, job done or always looking forward?

 

It's great, I took time off to be a stay at home dad for the last 10 years to raise my son, so getting back to it now feels like it's brand new again, and playing live is extremely rewarding because the fans are so appreciative. I hope to be doing this for a long time to come.

 

What was the driver to create a new album and get back on the road for a European tour?

 

Our songs are continuously being referenced in Pop culture, on The Simpsons, Glee, Beavis & Butthead, in commercials, movies, etc...and I hear a lot of 80s influences in the new music being put out today, a lot of synthesizers and big drum sounds. Plus I was just itching to get back out there, I love doing this.

 

  

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Tim from 'This Town Needs Guns' in conversation

Interviews
16 January 2013

Where did your band name come from and any regrets with that name in today’s climate?

Our previous singer Stu actually started the band when he was at uni and chose this name from a letter his friend once sent him. His friend had signed off the letter 'This Town Needs Guns' in reference to a bunch of scally-wags who had thrown a brick through a bus window at him.

 

Yes, we're actually kind of regretful of the name at times but we hope that people realise it is just a band name and it doesn't convey any of our views on guns or any other weapons for that matter. We'd hope people would take the time to listen to the music before basing their view of us just on a name.

 

How did you come to be in a band together and with what ambitions?

 

The band originally started like most bands - a bunch of friends just wanting to spend their time in a positive and fun way. We recently had a bit of a line-up change in that our singer left amicably to start a family and our bass player left to pursue a career in graphic design. Since Henry has joined us (undertaking both of these duties and more) we've still had the same outlook and just like at the beginning of the band, we've had no particular ambitions besides enjoying what we're doing and taking what opportunities come our way.

 

How would you describe your sound for people yet to hear your music?

 

It's always difficult to pigeon-hole your own sound but other people have described it as indie/math-rock. I thing people get too hung up on having to label music under a particular genre; it's much easier to just check out the music.

 

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Matthew E. White

Interviews
20 December 2012

Hi Matthew, how are you today, ready for Christmas?

 

Yes. I have been looking forward to this particular Christmas for a long time, its been a crazy year! I’m going AWOL for a couple weeks.


Who is Matthew E. White and how would you describe your music. What was the actual spark that made you believe music was going to be your career path?

 

Right now my music is an American gentleman’s psychedelia sparked by Chuck Berry and The Beach Boys


Where is your home town and are there any record stores still standing there or where you live today?

 

Richmond, Virginia is my hometown and yes, there are several wonderful record stores still standing.


What is your approach to song writing, does it all come in a rush, over time, music first, words first etc?

 

Over time for sure it’s a bit of a combination of music and words all floating around each other until they find their home. I like to write down phrases that I like and sometimes Ill play with those until they fit nicely in a bit of music or sometimes there’s a piece of a melody that begs a few words. You never know how its going to come out, that’s what makes music so enjoyable - its something that you can play around with forever.

 

 

 

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A December interview with Pye Hastings of Caravan

Interviews
16 December 2012

 Hi Pye, how are you today, ready for Christmas?

I am fine thank you,  

 

The turkey and the ham are ordered, the champagne is already on ice, the Christmas tree is up and covered with decorations. The house is nestling under a couple of inches of snow, and I have uncharacteristically bought the main presents, so I am nearly ready. Just the surprise pressies to go.

 

Today up here in the Grampians, it is cold. Yesterday it was snowing and cold, and tomorrow it will be wet and cold. If the sun comes out it will be a full house of weather. This year will be a quiet one ,I expect, as my son and his family will not be joining us until after Xmas.

 

You have a 10 date UK tour planned for January around the ‘For Girls Who Grow Plump in the Night’ album. Is this aimed at the Grey hair fans from the 60’s & 70’s or do you hope to attract some new followers? 

 

Caravan fans are a completely mixed bunch. Some are clearly our age group with as you say Grey Hair ( I prefer to call them Highlights), some are bald, (That's when we have to get out the shades to avoid the glare), and some are young and discovering the music for the first time. Whatever, they are like family to me and I love playing to them. They are the most loyal bunch in the world. 45 Years and counting.

 

When did you realised that music would be your path for life and when and where was your first gig as caravan, any memories?

 

I realised music was going to be my preferred course in life about two weeks after I got my first guitar on my 17th birthday. I was a late starter. Once I had learnt a couple of chord patterns I was completely hooked and couldn't put it down. It is still the same today.

 

The first Caravan gig that I remember was in the Beehive club in Canterbury. This was "The Place" to be in those days. It was referred to as a Coffee Bar and no alcohol was served. We went across the road to the Nag's Head pub to get in the mood before playing. The beehive was very small with a capacity of no more than 100 or so, but the atmosphere was heaving.

 

We had individually played there before in the Wilde Flowers band doing R&B so the crowd knew us and were prepared to give us a chance with our own music. It went down a storm and we were invited back on a regular basis.

 

The Beehive is now a Fine Dining Chinese Restaurant called the Kudos Restaurant, which I visit every time I get back to Canterbury

 

 

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A Christmas catch-up with Dog is Dead

Interviews
12 December 2012

Questions from our Lou.

It's 16 months since I met you in the bar at London's Lexington before your first sold-out gig in the capital. How've you been?

Very well thank you! Keeping ourselves as busy as possible

You must be very proud of your first album, All Our Favourite Stories - the Guardian gave it 4 stars and called it 'solid gold indie pop'. Did you find it easy to translate the songs you'd been playing live into album material?

I wouldn't say they were all easy to translate but some of the songs off AOFS were nearly 4 years old, eg. Glockenspiel song, so we'd had plenty of time to iron out any difficulties we came across when putting the songs on record.
 
In 2011 you told me you were ambitious, and you've proved that with your rise from local
Nottingham heroes, to a nationally acclaimed band with a massive fan base. What's next for Dog is Dead?

Well we're pretty restless. We've started writing again and in the new year we're setting off on our first European headline tour!

 

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A Christmas interview with Luca from The Cellophane Flowers

Interviews
05 December 2012

Hi and how the devil are you today, in the Christmas spirit yet?

Hi! We are wonderful thank you.  If by the Christmas spirit you mean we are eating loads of food and enjoying an array of beverages, then we are festive all year round.

New album release on the horizon, take a step back and tell us how the band came together?

We have been together for about 3 years, although Ian and Nick knew each from previous bands. Francesca was found lurking in a second hand clothes shop and Luca was recommended by an acquaintance of ours.  We all had such different influences, so we thought ‘hey, let’s start a band!’

From those first few band meetings is life in 2012 as expected?

Well we certainly haven’t played Glastonbury as many times as expected.  From the beginning we had vague goals which have definitely grown over the years, but having completed a debut album we are proud of and feeling like a tight musical outfit, things could be worse.

Just where does Fra's voice come from?

Francesca is Italian so we do get a lot of queries about where her quirky voice comes from.  It must be that Friuli mountain flavour that you are referring to.

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A chat with Esmé Patterson

Interviews
30 November 2012

 Hi Esmé How the devil are you today?

 I'm in the nebulous space of not knowing whether I've had too much coffee or not enough...

  

We have just discovered your music; tell us about Paper Bird and your new solo album, All Princes, I?

  

All Princes, I was born from stacks of songs that were overflowing past my band of the last 6 years, Paper Bird. I had so many songs, and such a clear vision for their orchestration, that I finally seized the chance to gather them up and build them a home. I am still happily playing with Paper Bird, but creating and releasing my own project has really helped to renew my energy in the band.

 

What was the spark that made you realise music was going to be your career path?

 

Recently I was reading a biography of Carl Jung and it kept referring to his acceptance of The Work, his life's work, at a young age, and I realized I had always known that my music was The Work, but recently mustered the courage to pursue it.

   

What’s the biggest difference playing out front on your own rather than with the band?

 

It's terrifying. In the best way. It sharpens me.

 

 

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In conversation with Matt Bartram of' 'you walk through walls'

Interviews
27 November 2012

 Hi guys, how  are  you today?

Great Thanks.

How would you describe life in the band at the present time?

It’s a really exciting time, our debut EP is out next week and it’s been getting great reviews. We can’t really ask for more at the moment.

Was there any major changes to the recording techniques used for Air Formation as when recording as you walk through walls?

Not really, except that I had to do a lot more than I was used to. We recorded it live in a day and then spent a few more on overdubs and mixing, as always we were working to a tight budget so couldn’t really afford to experiment too much. We recorded again with Pat Collier as we know he produces great sounding records and it’s always a good vibe at his studio.

What was the driving force in establishing the new band and what are your initial hopes and dreams for you walk through walls?

Without really intending to, a month or so after Air Formation ended, I wrote a few songs that I thought were really fresh sounding, they felt different to Air Formation  and too good to never see the light of day, so I gave James a call and asked if was still up for playing drums with me. I also thought it would be a nice challenge to be the only guitarist and see if we could pull off a three piece line-up, without succumbing to the temptation of backing tracks which tend to get used a lot nowadays. I just wanted a straight forward line-up that could set up and play anywhere.

As far as what the future holds it’s quite simply making records which hopefully people will enjoy listening to. While we’re here we’ll see if we can push it a bit further than we were able to with Air Formation.

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Introducing Sondra Sun-Odeon from Brookyn

Interviews
18 October 2012

Hello there, did you wake up with a smile this morning?  


YES

 You are New York based, is that Brooklyn or does good music come from other parts of the city as well?

GOOD MUSIC COMES FROM ALL OVER THE CITY AND OUTSIDE OF NY, BUT IT JUST SO HAPPENS THAT I AM LIVING IN BROOKLYN.

For anyone who has not yet heard your music, how would you describe it?

DARK. LONGING. ETHEREAL. HEAVY AND MAYBE KINDA GOTHY.

What was the music you listened to as you grew up and are you still playing any of those songs today? 

OUR FAMILY DIDN'T HAVE MUCH WHEN I WAS GROWING UP. NO STEREO...NO RECORDS...NOT EVEN A RADIO TIL I WAS IN MY TEENS. THE PARENTS REALLY DIDN'T LISTEN TO MUSIC. BUT THEY RENTED A LOT OF CHINESE OPERA/DRAMA VIDEOS, AND I THINK THE TONALITIES, AND CERTAINLY THE COSTUMING, MADE AN IMPRESSION ON ME. I DID PLAY CLASSICAL MUSIC (PIANO AND VIOLIN) FOR MANY YEARS BUT DON'T PLAY THIS NOW, BUT DO ENJOY IT GREATLY STILL.  

How did you decide to take the music path as a career and were there other options outside music that you gave serious consideration to?

I NEVER REALLY DECIDED TO TAKE MUSIC AS A "CAREER" PER SE, AND I'M NOT SURE I HAVE NOW. I'M SERIOUS ABOUT IT, AND I LOVE CREATING MUSIC.  I DO HAVE A FULL-TIME JOB IN THE FASHION INDUSTRY RIGHT NOW, BUT IF DEVOTION IS THE DETERMINANT OF WHETHER SOMETHING IS A "CAREER" THEN MUSIC AND YOGA TEACHING ARE MY "CAREER", MUCH MORESO THAN WHAT PAYS THE RENT AND GETS ME HEALTH INSURANCE.

 Is there any theme to your debut album or, do your song have their own individuality?  

THE SONGS ON THIS ALBUM HAVE A LOT TO DO WITH THE PASSING OF TIME, THE EXPERIENCE OF PURE LOVE AND LOSS, COMMUNION WITH LIKE-MINDS AND HEARTS, LETTING GO....I THINK THE OVERALL THEME OF THE ALBUM HAS MUCH TO DO WITH PASSING ON FROM ONE REALM TO ANOTHER.

 

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