This was the third night of celebrations for the 15th birthday celebrations of the Fortuna pop record label. Boss of said label ‘Sean’ was the subject of much adulation all night long.

The Ladybug Transistor formed in the mid1990s in Brooklyn. I only discovered the band this year on the launch of their latest album, Clutching Stems. A quite remarkable band, this year’s LP was their sixth! Not a million miles away from the National in sound, but more with a Neil Hannon vocal style and a Belle & Sebastian stage presence I guess. A very nice set, even when they get the said ‘Sean’ onstage for the last song, that he is more than reluctant to sing or play guitar too. Just excellent though to see the band live and hopefully, more next year!!!?? 

 

Tender Trap are led by Amelia Fletcher. The five strong band are a bouncy happy smiley indie band aith a great pop spirit  so you can forgive some of the odd missed notes and vocals sequence as they jump around the stage. Songs come from the first album Dansette, Dansette plus a new song from the record the band are now recording, which should be out in time for them to conquer the UK festival afternoons next summer .

 

Darren Hayman(ex Hefner) & The Secondary Modern are a full band tonight (including Allo Darlin’s bass player) and are in prime form. Half a dozen songs played with gusto, banter in freefall between songs it’s a great set of songs from the Essex landscape.

 

On the Merchandise stand there is a 6 track 10" EP from Darren in a hand screen printed sleeve, which, comes with digital download code and Darren's choice of loose leaf lapsang souchong (I could not make up my mind what the package contained when I got home late last night, so had to look it up) and a recipe for Julia's Christmas Cake. Fika Recordings are here where you can find Christmas in Hayworth.

 

Allo Darlin' are the epitome of a good night out, bright shiny indie things they had the audience’s toes tapping and hips swaying within minutes of the opening song. Like Tender Trap a second album is underway and with Darren Hayman’s violin player tagging along, he makes it a collaborative night.

Australian singer  Elizabeth Morris leads the band with her ukulele ,occasional  electric guitar and fabulous voice and personality. This band will be around for a long while to come. 

 

All this for £11.50 a ticket. just wonderful and happy Birthday Fortuna Pop!

 

Pete

 

 

The thought of heading across to Portsmouth on a Sunday evening is never an exciting one, but the prospect of seeing one of our favourite bands in a small venue made this a must-see gig.  

It was the first night of a 16 night tour so the down n dirty surroundings of 'The Wedge' provided a great launch pad and certainly lead us to keep an open mind on what to expect.

 

Support was Tanya Auclair, songstress hailing from 'West London via Canada and Rwanda' with loads of cleverly used loops using drumsticks, guitar and vocals. She did a 25 minute set; sadly the chatter level grew as her set progressed.

 

Guillemots took to the stage to a classical music backdrop and launched into Kriss Kross, opening number from their Red album. This is an edgy number and set the tone for much of the set - ie a very together band, individually highly accomplished, delivering a superb show.

My previous Arctic Monkeys shows at the Astoria, Brixton, La Zonta Rosa and the megazone of Glastonbury really was no preparation for Alex Turner’s persona at the 02 last night. Like the Vaccines intro music, American Rock n Roll radio which they weren’t but, Alex Turner most certainly was.

Leather jacket, quiff, hair combed through a few times during the show (combs available on the merch stand). The new album continues the American odyssey the band seems to be in the midst of.

Matt Helders, is as much a star of the proceedings as front man Alex.  A more solid drummer  would be hard the find.  Thunder behind the kit and two out of three catches after the throwing the stick in the air segments. Jamie Cook and Nick O’Malley guitar and bass respectively continue to make this a growing band.

It takes some doing just to get your head around how far and fast this band they go but, there is still the dark humour and the earthy lyrics. A show just scrapping in at 90 minutes could have been much longer after four albums but it’s still a non stop music feast through those records.

Let’s hope next time out it’s not ‘American Express presents The Arctic Monkeys’!

Pete

I have decided that the Roundhouse, whilst a spectacular place for a concert, is just not that brilliant for viewing. Half the Wilco set crushed up the front ,half behind the mixing desk meant a disjointed show, viewing wise, as you lose all the atmosphere up at the back. This was however a great set that comfortably covered the band’s history with a massive chunk of the new record.

We went as far back as ‘Shouldn't Be Ashamed’  from AM and all points leading up to The Whole Love. It’ did seem to me a bit low key but that could have been because I was waiting for the current dynamic version of Via Chicago, which didn’t arrive until the next night. My Recent Wilco gigs have also been at festivals and also seemed to be more urgent. As I reflect  on set list however I think I’ll be enjoying the ipod playlist over the next couple of months.

Pete

 

Where to start, numerous Ryan shows under my belt already and this is the second London show for me this year, following the Barbican gig in June.  I have seen Ryan play over the years in many different forms, with band, solo, playing with other bands. Focussed, unfocussed, sullen, happy, quiet, chatty, but throughout all of that, there are the songs and their delivery which remains for me spine tingling every time out. 

At the moment we have the cool, focussed, amiable Ryan. Fine new album just released (Ashes and Fire) and a back catalogue to make even more seasoned veterans weep.

 

Anyway back to the start. A healthy queue outside the venue early on as, a venue official  wanders down the line shouting, no recording no video no pictures,. even on phones etc etc etc. The Union chapel is a jouous church for a concert and being there ‘early doors’, pretty much guarantees a decent pew.

 

Chris Stills (Stephen’s son) provided a strong set to start and is well worth checking out on record and live. As you would expect (being in the genes) a good guitarist and interesting songs.

First things first, water £2.70 a bottle (rip off) Richmond Fontaine T Shirt £10 (bargain!) and beer is the usual £4 plus. 

It was a predominantly male audience (more so than your average gig) - much to Laura Gibson’s horror, when she remembered that her T-shirts on the merchandise stall were covered in bunnies. Not that she really needed to worry as she had all the big butch guys (with sensitive hearts) eating out of her hand and singing along by the end of her set. Doubt she sold many T-shirts though.

 

Laura Gibson is a fine Americana / folk talent. Distinctive songs and vocals, and possessing a cute shyness, like Laura Marling way back when. This Laura delivered a lovely set of original songs plus Leadbelly’s Where Did You Sleep Last Night? (Perhaps to tie in with the current Nirvana over-hype machine which is on the roll) but a good gravelly version, none the less. Some nice home spun tales as well.

Tom McRae came out quietly, bashfully, didn't speak, didn't introduce himself but launched straight into the haunting 'You Cut her hair' - chills ran down my spine and the hair stood up on the back of my neck and arms, goose pimples everywhere. The deep tone of the Cello went right through my belly and the violins and viola that accompanied the song, seemed to cling on to his very word.  

The Papiersaal is an old paper mill situated in the heart of Zürich in Sihlcity. Done up beautifully inside, the acoustics suited the quartet and McRae's acoustic guitar.
 
McRae likes Zurich, having played in the Electric Plant in Selnau on his last trip, this visit to another vamped up old part of town, seems to suit him. He also is proud of the String Quartet that accompanies him and he introduced us to them, gradually throughout the show.  

The lone Josh T. was supported by The Tenebrous Liar & Rich Warren, The latter also being the drummer in the former.

Richard Warren had a brooding presence, much like the entire atmosphere of the night. Some raw blues tunes acoustic and electric. New album out 17th October, Wayfarer, with a stripped down mix free with Bucketfull of Brains Great start.

The Tenebrous Liar, are a three piece down the Post Rock route band, indeed close to a ‘Fall’ type Post Rock band. Just a type of band you would expect at Birmingham’s Supersonic festival, with a wall of sound, single pitched vocals and a dark attitude. Interesting evening. 

I love a man who can shake his Maraccas and the lead singer ( Alex Maas)  from The Black Angels does, he also gets the tambourine out from time to time. The Black Angels don't say much and when they do, you can't understand a word they mumble. Don't expect any audience participation from these blokes but the sound from them is hypnotising and even quite sexy to say the least. 

At the Plaza, last night in Zurich the five piece band looked a little cramped on stage and even though the sound wasn't great, you got a feel for what I have seen described as 'Psychedelic Rock'. Very reminiscent of Black Rebel Motor Club but less laboured. I just love that deep grungy/echoey deep guitar and I think some of their riffs are probably a little lighter than B.R.M.C. 

Keith Jarrett’s standards trio played to a packed Royal Festival Hall last night (27 July) Made up of Jarrett (on Steinway) bassist Gary Peacock and drummer Jack DeJohnette, this was a evening of intensely beautiful music played by true masters of their craft. 

Again, we find ourselves experiencing a concert far from the norm (for us) but with an affection for the ECM label back in the Seventies I just felt inclined to try, a live high profile live jazz recital at last.

 

A very respectful audience saw the trio arrive on stage at 7.40 pm take a deep bow, play fifty minutes of sublime music, 'St. Louis Blues', 'In Your Own Sweet Way', 'Sandu', & 'What Now My Love', and retire for a break. The second half included 'Yesterdays', followed by' When will the Blues Leave'  with added drum magic.Four encores followed as the trio left and rejoined the stage that many times.

 

At the end of the gig I did wonder if this was the path for an aging concert goer. Comfortable seat, no earplugs required, early start, early finish, no rush to get the last train. A few years down the road I think but with a combined aged on stage of around 200 I guess, this was certainly an evening for the musical connoisseur.

 

The sound balance levels and tone were pitch perfect throughout, rather like an ECM vinyl recording. Jarrett’s playing was actually quite stunning, fingers flowing across the piano or, bent low over the instrument picking out the most delicate notes that would even make an angel weep. 

On the weekend that we lost a magnificent musical voice, it was reassuring, nay, reaffirming to see Irma Thomas performing in London last night for the first time (she said) in over twenty years. Her first single ‘(You Can Have My Husband But) Don't Mess with My Man’ was released in 1960, and her voice was as magnificent last night over ninety minutes as I am sure it was in her earlier career.  

Delighted to be on stage, with a wicked sense of humour and more than happy to take requests, however obscure, she sang what she “could remember” and she could remember a lot! On occasion she just sang the vocal as the band didn’t even know the song, something a few artist would not go near attempting.

 

Dubbed the ‘Soul Queen of New Orleans’ her heart obviously belongs to that city and the most stunning moment of the night came with a vocal and keyboard cover of Stevie Wonder’s ‘Shelter from the Rain’, which was so intense your mind drifted to not only New Orleans but also the other  tragic events of this weekend.

 

‘Time is on My Side’ and countless greats were sung and lapped up by an adoring audience. A special show.

 

 

The tiny Junction 2 venue in Cambridge must hold around 200-300 people and ‘hats off’ to Athlete for sticking with that venue after the show sold out and not moving to the bigger Junction venue.   

 

A rather fine,’ The Robot Heart’ commenced proceedings. A four piece with gentle delicate songs not unlike an early Athlete themselves in some respects.  

 

The show itself was, the hits stripped back, which was delightful. We got the standouts from all the records plus more. Vehicles & Animals, El Salvador, Tourist, Wires and a full electric Rubik's Cube to round up the set almost 2 hours later.  

 

Carey Willetts, Bass Stephen Roberts drums and Tim Wanstall, keyboards and omnichord all seemed to be having a great time and in the end Joel said that “it was great to be part of something different”  

 

Like an old jumper you have not worn for years and when you try it on again, it fits. That's how the evening felt, perhaps, a band whose records are seldom played, back to remind us how good the songs actually are! Hats off indeed.

 

Pete

 

 

 

Photos

Page 29 of 29