It's the last day of what has been a solid visit to Austin. The sun is shining and a well balanced week means we still have some energy to be able to walk around the city so we are off It's a quick walk into the convention centre to check out Flatstock (a huge market of concert posters and gear) and while in the building we are able to catch two bands;
Thanks to social media and a few great SXSW websites that dedicate themselves to highlighting the open parties each day (showlistaustin) we decide to hit a party that we have not been to before. The party put on by Wild Honey Pie is in a perfect venue. Another outdoor 2 stage venue that means they can have bands play back to back all day long and there is lots of good beer and lots of sun and plenty of seating!
Our plan today is to head out of the city centre, get away from the masses, and go to a yearly party at Hotel San Jose. This party, referred to as South By San Jose, is a completely free event, no badge required. Its an ideal setting no matter whether you have a badge or not. Its always well attended and the promoter who curates the show has very good taste in music so there is always quality bands playing.
Its another solid day of shows but there are a few key performers we need to see today and some favorite venues to visit and with SXSW Music really kicking off today, the city is getting a little busier.
Temple Bar Tradfest is now in its twelfth year, and as a certain Michael Eavis would say, this year's was the best one yet! A welcome attraction at the end of the bleak month of January, the event is comprised of concerts, recitals and special events in venues, pubs and churches in the centre of the capital. The term trad is applied loosely. There are indeed events that are very traditional, but the line up also included Billy Bragg, Fairport Convention, the Rails, Martin & Eliza Carthy, Mundy and an ultra-rare concert by Maria McKee.
A warm welcome from festival directors Mick Peat and Bob Rushton, plus local folk heroes John Tams and Lucy Ward greet us at the start of the 10th Derby Folk Festival. As it's the 10th festival they've put together a great line-up including the new and as yet unknown, the traditional and much loved, and the unaccompanied voices to the full-blown band.
This festival has had one or two years off but was back with a bang this year. This time round featuring some top-class bands, and including the larger 'Pyramids' venue.
Great value for money at £20 a ticket. Bands were playing from 1.00 pm at the majority of the 20 venues so inevitable there would be frustrating clashes. Notably, bands we were unable to see included, The Big Moon, Pigeon Detectives, Honeyblood, Inheaven, Sisterray, Black Honey.
Apart from The Pyramids Centre all venues are located on Albert Street and range from the established Wedgewood Rooms to various small rooms within/behind/above pubs. Pyramids is a 15 minute walk away
The first-class nature of today's line up saw co-headliners Mystery Jets clashing with British Sea Power. Having caught MJs the previous Wednesday in Reading and being a BSP devotee this choice was in reality a no-brainer. In all we managed to take in 11 great acts.
The V2s - Little Johnny Russell's Competent guitar band to get things underway. Set List written on a waiters note-pad
The Dead Freights - Little Johnny Russell's Highly likeable local Southampton band. Tunes laced with 60's soundalike melodies. More Animals than Beatles
Just Millie - The Vaults Undergoing a change of name later this month. At the behest of her label she is moving into experimental electronic territory and will perform under the moniker of 'Wren'. Today an acoustic set with bass and Nicki on box-beating drums
Cassava - Little Johnny Russell's Back to noisy guitars. Having been running late, this venue had now caught up so only caught last two songs
King Nun - The Loft at The Kings Most interesting venue of the day - an extensive room above a pub with stage in the corner. Interesting as it presented a down n dirty rock n roll backdrop. In truth the whole room and furnishings require a refurb. But no complaints, good to see an event like this creating a useful home for creative arts. This band are from Richmond (South London, not Virginia). Nirvana guitars with Mark E Smith vocals.
Palm Honey - Little Johnny Russell's Far and away the best 'unknown' on show today. This band is truly one to put on the radar. Standard guitar line-up but with a prominent synthesiser giving colour and depth to most of their songs. Saw them at Truck Festival earlier in the summer. As then, they announced their last song 22 mins into the set and proceeded to go into an excellent 8-minute prog-based guitar jam which moves into an extended outro comprising scuzzy guitars and strangely melodic feedback as instruments are left strewn across the stage as the band walks off.
Kassassin Street – Pyramids Off to the Pyramid Centre for three bands firmly on our list today. Kassassin Street are a local Pompey band who deservedly drew a strong local following. The big stage and vibrant light show enabled this band to show their dancey side in full flourish. At the end of the set, lovely to see them taking pictures of the crowd - savouring their big moment. This band potentially has even bigger moments in store.
Eagulls - Pyramids Eagulls’ songs rely on George Mitchell's powerful vocal being front and centre. Sadly today the band were a guitarist down and seemed to over-compensate by cranking up the volume of the lone guitar. As a result George's sullen poetic lyrics were somewhat drowned out. The slower 'Life In Rewind' off sophomore release 'Ullages' was the best song in today's set.
Little Comets - Pyramids Had to play a curtailed set to get the venue back to timetable but delivered 7 wonderful songs including one of my all-time favourite songs 'The Blur, The Line, The Thickest Of Onions'. Their jerky rhythms and concisely-delivered vocal lines give this band a truly unique sound.
Lucy Rose - Wedgewood Rooms A great turn-out for this wonderful female vocalist. Tonight with a band but that didn't detract from the delicate style in which she delivers her beautiful songs
British Sea Power - Wedgewood Rooms BSP are not on tour currently so this was a one-off; but they were still on fine form. What I find striking about this band is that each of the six members has a brilliantly defined role down to Phil on cornet and Abbi on strings, and cowbell on 'Matches', one of two new songs in this set that otherwise comprised better known numbers including 'Remember Me', 'Waving Flags', 'Great Skua' and 'Carrion'. The customary dancing bears joined in the fun during live favourite 'Spirit Of St. Louis'. The somewhat over-exuberant white bear (aka Bi Polar) took a crowd-surf following which he fell in an unceremonious heap across the barrier. Marvellous fun!
'Radical trad' - that is how I first saw Lynched and Ye Vagabonds described in the festival programme from Temple Bar Trad 2015. The write-up immediately made me curious. I could not make it to their shows at the time, but I checked them out online and realised these were two extraordinary new acts. A year and a half on from my discovery they have gone from strength to strength, particularly through continuous gigging. This was a joint headline show at St Luke's Church as part of the Cork Folk Festival.
Ye Vagabonds have been on the road playing support to Glen Hansard, Lisa Hannigan and Roy Harper. They have released a wonderful EP but I personally cannot wait to hear their debut album, when it will finally see the light of day? This was their biggest headline show yet and my first time seeing a full length concert by the brothers. There is something old-fashioned about Brían and Diarmuid, and this is meant as a compliment. Their music is as timeless as it is superb.
They played some of their own, excellent compositions, as well as songs by others, explaining where these were "got". There is something very wonderful about siblings harmonizing. Cork Folk got their share of this as Lynched of course has two brothers too and the Unthanks had played on the opening night.
Ye Vagabonds had brought two musicians along for the occasion. Alain McFadden on banjo and bodhrán (plus good looks and tech duties) and Jesse Smith on fiddle and viola. I did not think they added much and I was grateful that for a large part of the show Brían and Diarmuid played by themselves. When it comes to trad, less is always more, in my view.
Brían performed a beautiful instrumental piece on his own, entitled 'For Bert'. I had not heard them do 'The Lowlands Of Holland' before; a beautiful song that I had incidentally never came across until I moved from the Netherlands to Ireland.
The audience was really into it and well behaved (in terms of talking). There was much joking about the sound of cans being opened. I love the concept of Live At St Lukes. This former church is now solely being used as a live music venue. Punters are allowed to bring drinks (the website recommends three cans per person) and the venue has full cooperation from the pub and the carryout off license across the road. The acoustics in the church are slightly echo-y, which was perfect for these particular shows, but I do not know how well it would lend itself to louder music.
Support for Ye Vagabonds was by Tiz McNamara, a sympathetic singer/songwriter from Cork. An engaging storyteller as well as a performer, Tiz specializes in sad songs. Guy-with-guitar support acts can sometimes be a drag, but this was not at all the case here and he went down very well. A name to keep in mind.
On the previous night support had come from Morning Veils, a female trio, also from Cork. This was gothic, atmospheric music; a bit shoegazey as well. I was reminded of acts such as Fursaxa and Miranda Sex Garden. The girls were curiously dressed in regular clothes (one of them wore a 'Repeal' sweater) but with gauze veils tied around their heads. Instrumentation included harmonium and percussions bells. Radie from Lynched was sitting in the audience nodding along approvingly and later mentioned that she thought they had been great.
Lynched were utterly fantastic at St Lukes. It had been nine months since I saw them previously, hence many setlist changes. Their acclaimed debut album is over two years old now. Lynched have been touring constantly (many festival appearances over the summer) and have introduced a lot of new songs into their set. By the time they get to record album number two, they should have settled on perfect arrangements for this well worn-in material, thus avoiding any difficult-second-album problems. I am most curious if they will have an original song as good as 'Cold Old Fire'. If they do, they are keeping that up their sleeve for the time being.
Highlight of the show for me were the three songs on which Radie Peat sang lead. The acoustics of the church probably played a part - it was utterly impressive. It caused Ian Lynch to say, "It just struck me that I am in a band with the best singer in Ireland". True true.
Radie sang 'What Will We Do When We Have No Money', which she learned from a version sung by traveller Mary Delaney. I did not get the name of the second song she sang, but that was the one that took Ian and I guess all of the audience by surprise. The gig closed with 'The Old Man From Over The Sea'. Radie probably has enough good songs for a killer solo album, but that may be for another day. If I had any say in the matter though, she should get at least three songs on the next Lynched album.
The show included plenty of humorous banter. The original version of 'Salonika' was played so as to not to upset the keyboard warriors from the People's Republic of Cork. They also played a medley of some lesser known songs that the Dubliners recorded. Daragh explained that they got these songs on an album that they found in a 'crusty punk house' in Seattle.
The interaction between band members is a special thing to watch. The role of the quiet man with the perfect pitch, Cormac, is not to be underestimated. I found myself wondering why people get nostalgic for the 60s and 70s when there are bands as good as Lynched - and Ye Vagabonds - around that you can go and see nowadays.
The band seemed to enjoy the show as much as the crowd did. They mentioned that they love playing in churches, they complimented the audience on "some savage clapping" and wrote on Twitter that it had been one of their best crowds ever.
Move over U2, move over Kíla. Lynched are the best live band in Ireland right now.
OnRoundhay is the newborn northern sibling of the OnBlackheath festival which has been running since 2014. The festival site sits in a natural bowl in Roundhay Park which gives very good views of the enormous music stage and two top quality video screens from wherever you are in the main arena. The tie in with John Lewis means that there's a cookery demonstration tent and a selection of fine festival foods. There's also a Penguin storytelling area , a mini sports day, and giant, costumed characters (Peter Rabbit and Spot The Dog for the kiddies, and The Clangers for grown-up kiddies with longer memories) walking around for selfies and high fives.
Promoter Harvey Goldsmith is the compère for the day and he introduces Actor, who are a discovery of BBC Introducing West Yorkshire. Actor are a three-piece based in Leeds who produce a set of epic power pop tunes in a Bat for Lashes style driven along by Louisa Osborn's vocals which are powerful and striking. Standout tracks are 'Power' and 'Baby Cries'.
Another local band The Haggis Horns are next .They play mainly instrumentals of funky tunes with surprise, surprise a killer horn section. Their sound bursts from the PA and gets the partisan crowd down the front dancing. I suspect they would be at their best in a small, sweaty venue with everyone up on the tables and dancing, but to the uninitiated each track sounds very similar and the appeal is lost after a while in the wide open spaces outdoors.
Harvey's back on stage to introduce “ one of the hottest bands around .. Wolf Alice” and having seen Wolf Alice several times in the past couple of years Harvey's not wrong. Their sound is fuller and heavier live than on their debut album 'My Love is Cool '. Highlights include 'You're a Germ', 'Fluffy' and 'Moaning Lisa Smile'. The shortened set of 45 minutes and 13 tracks means there's little chance for audience / band interaction, but that's a minor quibble as their consistently high quality live performance means there's likely to be great things ahead for Wolf Alice.
A band already with a great past, current and likely future is Primal Scream, who understand that they are playing to a festival crowd so select a set list of greatest hits. A couple of minutes of opener 'Moving On Up' ignites long distant memories, causing a stampede of grown-ups into the area in front of the stage. 'Moving on Up' is one of four tracks from 'Screamadelica' in the set which also includes 'Jailbird' and 'Rocks', plus the two best tracks from 'Chaosmosis' the new album. A final anthemic 'Come Together' sends the crowd back to their early twenties and hopefully converts a few of the current teens/ early twenties present in the audience.
The investigatory powers of Sherlock Holmes are not required to deduce from the flowery face paint and band merch being displayed by the audience that tonight's headliners James are the main reason many are here tonight. Tim Booth ,wearing a beanie to protect against the rapidly dropping temperature, welcomes the audience “Good evening , it's a real pleasure to be here”, as the intro to the slow burn of 'Getting Away With It (All Messed Up)'. 'Sit Down' causes the inevitable mass sing-along.
The giant sun disc/ speaker from the front cover of their most recent album 'Girl at the end of the World' hangs over the band and there's six tracks from that album in the set tonight. But there's a steady drip of hits including 'Laid', 'She's a star' and during 'Sometimes' there's a mass audience sing-along to the fade out “Sometimes, when I look deep in your eyes, I swear I can see your soul”. The encore of 'Say Something ' ends in band bows and farewells to close this fine day.
The varied music selection, interesting food stalls, general good feeling and family atmosphere all blessed by the surprising late Summer Yorkshire sunshine means that the birth of On Roundhay feels like a successful delivery. We hope that the biggest village fête in Yorkshire will return again next year.
OnBlackheath has become a mainstay of South London festivals. Situated on the Heath itself with, Greenwich Park just around the corner, this is a delightful part of London to spend the weekend in late summer, whatever the weather.
Rain on Saturday afternoon, then dry the rest of the weekend, indeed, it was gloriously sunny on the Sunday. A two day festival, no camping but that is not a issue in this location. The site itself has a heavy John Lewis (the main sponsor) presence and tons of excellent food stalls and numberous non musical activites.
Local boys, The Meantime brewery supply the beer and, with kids going free, it’s a real family affair. On Blackheath has a Chef’s stage with demos and a kiddies stage and adventure park which is packed all weekend long. The Roald Dahl maze a real highlight apparently.
Bands on the Saturday for us, kick off with Lone Lady on the main stage. A raft of great songs, with a full band and great visuals on the big screens. Róisín Murphy is next up and another original show presenting songs from the new album. More on stage costume changes than I have ever seen at a gig ... almost an art form in itself.
Connan Mockasin has played a fair few festivals this summer, but just seems to get better every time, a great summer set. Stars for the day as darkness fell were Hot Chip who had the main stage crowd bouncing. Most of the band have been off doing solo stuff recently, so great to see them back together.
All day the three stages are buzzing with activity and DJ sets from Don Letts and Neneh Cherry go down a storm in the DJ tent. It’s a pure rock n’roll finale with Primal Scream to round the day off and with a 10pm curfew we are back at the hotel in time for Match of the Day!
A stroll around Greenwich on a sunny Sunday morning is lovely, it also led to the discovery of Casbah Records, an ace record shop at 320-322 Creek Road.
Back on the Heath for the dreamy Amber Arcades followed by some Spanish Psych from Mardid based band The Parrots. Heavenly Records are curating a stage today so, it not easy to drift away especially as Edwyn Collins and band are next on and play a superb set of solo and Orange Juice tunes. Amazing and highly comenable to see Edwyn treading the boards with so much enthusiasm!
Soak with full band brought her beefed up ballads to the main stage early afternoon, followed by, local heroes Squeeze who draw the biggest crowd of the festival in the glorious sunshine.
It’s now about choices as the festival reaches it’s climax, James or Saint Etienne and then Belle & Sebastian or Nightbeats. We go the James and Nightbeats route and are not disappointed. What a fine band James still are and with Tim Booth spending most of the time crowd surfing. “I trust you to take care of this antique” he tells the crowd before diving in again, they are a triumph.
Belle and Sebastian play what seems the same set they have been playing all summer and whilst they are a lovely band live, we go for a bit more bite with L.A.’s Nightbeats. They blow the roof off the tent, a power trio on fire and a great way to end the bands this weekend.
We catch the end of the Craig Charles Funk & Soul DJ set that has the packed tent bouncing before heading back to the hotel yes, in time for Match of the Day 2.
A great weekend all round, let’s hope it’s all back in 2017.
So here we found ourselves once again - the happiest spot on the planet .........
EOTR is often cited as 'a music lovers festival’. I've not been particularly comfortable with that descriptor and the rather pompous picture it conjures. But this weekend I think I was able to rationalise it. Bands play all weekend across four stages (two outside, including the sizeable Woods Stage, and two in tents) but such is the nature of the exciting line-up every arena empties out after each act. There is no sense here of people camping for the day in a given spot just to wait for that night's headliner; everyone simply seems too excited about what is happening elsewhere. And there's lot's to sample from an eclectic mix of music to the stunningly beautiful gardens, literary and cinema arenas or simply the gin hut or cider bus for a chill-moment.
For the first time this year bands played on Thursday evening on the main Woods Stage, with The Shins headlining. This really helped elongate the festival - let's hope this becomes an established feature.
This years event was a little rain affected. There was a downpour Saturday afternoon which meant we got a soaking during the beautiful Meilyr Jones set on The Garden Stage - but absolutely worth toughing it out in the wet for such an accomplished artist. Heading back to the tent for a change of clothes and to recuperate meant we had to forsake Local Natives.
Fortunately the site drains well so the need to wade through mud was restricted to just a few particularly well-trodden areas. Later that evening the crowds were back wandering around, all smiles and not a single moan to be heard - oh well, this is a music-lovers festival.
Across the weekend we saw 30 bands.
Teleman - Woods Stage. One of our favourite bands kicking off our favourite festival. Opened with live favourite 'Sweet Combinations' followed by a good showcase of their latest album Brilliant Sanity
John Johanna - Tipi Tent. Repetitive guitar work accompanying a drum machine. Bluesy tunes, almost spiritual in places
The Shins - Woods Stage. What is it about Portland that allows this otherwise un-noted city in Oregon to produce so many sublime indie bands? This was The Shins first show in 4 years. It didn't sound like it. Arguably the perfect EOTR band. Played the wonderful 'Phantom Limb' second song in followed by a set featuring many tunes from their 'Chutes Too Narrow' album. Four song encore. Marvellous
Roddy Womble - Woodland Library. Humble and self-deprecating, the Idlewild lead singer was talking about his book Instrumentals and his current life that sees him living in a 90-strong community on Iona. Good news is that Idlewild is still an ongoing entity, with new album and gigs over the next 24-36 months
Amber Arcades - Garden Stage. Female lead singer and jangly guitars. Good set of pop tunes. Rockin final number
Weaves - Big Top. Shades of Beth Jeans Houghton in lead singer Jasmyne Burke’s vocal. Strokesey guitar provided the backdrop for this Toronto 4-piece. Lyrics were laced with sexual tension. Others were more graphic ''When I was 15 I was living in a shit-hole...."
Martha Ffion - Tipi Tent. Supported by a 4-strong band which Martha introduced as The Homemakers. As she took to the mic she pointed out 'if you were expecting Martha, the punk-rock band from the North East, we aren't them ..... we wish we were". Delivered a good set of non punk-rock. Lyrics in stark contrast to the more edgey previous band: "when I was 15 I burnt my diaries, when I was 15 I burnt my record sleeves"
David Brewis - Tipi Tent Bar. Stopping for a quick bite of lunch were able to spend time listening to one of the Field Musicbrothers. Like Roddy Womble earlier in the day, he eschews being in the spotlight but quietly admitted he does get a real buzz on the odd occasion somebody stops him in the street and tells him how they'd enjoyed a recent show. DB also revealed the rest of Field Music were in a broken down van with all their gear on the A34, all this just hours before they were due on The Garden Stage
U.S. Girls - Big Top. The first I saw this band (earlier this year at Primavera Festival) I thought it was a 2-girl collaboration. Today Meghan Remy was quite clearly leading the show, though still with 2 girls with beats and loops. My earlier recollection was also of a frothy fun-filled performance; today quite the opposite, dealing with rape and other highly emotive topics. But not without humorous moments including sporadic appearances of a guitar-touting cowboy. Costume changes aplenty including nun head-dresses for the last number followed by getting re-dressed to exit the stage.
Whitney - Garden Stage. Julien Ehlrich (Unknown Mortal Orchestra) centre-stage on drums and vocals together with guitarist Max Kakacek (Smith Westerns). Today supported with a 4-strong band. Included a Dylan cover 'Tonight I'm Going Home With You' in their 50-minute set.
Anna Meredith - Big Top. AM on keys, clarinet, drums and vocal - plus tuba, two bass, drums and guitars. The ensemble provided superb harmony-rich orchestrations, but later in the set an opportunity for a 'sweaty dance'. Interesting backdrop throughout - an image of a red and yellow cat which was static apart eyes blinking intermittently; replaced by a similarly coloured snail that moved across the screen, and finally a frog with a pointy tongue (or was it a lizard?).
Money - Big Top. As foreshadowed earlier, Field Music were late commencing their set so we got in early for what promised to be a highlight of our agenda, Money. The refrain "There will be music all around, When they put me in the ground" set the tone for a customary haunting set. Best set of the day and a highlight of the weekend..
Animal Collective - Woods Stage. A long awaited appearance at EOTR from this interestingly bedecked band standing in a row across the stage. For me it was Kraftwerk without the kraft.
Shura - Big Top. Electro-based pop. Shura on keys front centre. Guitar and bass on either side, drummer behind. Somebody said she has shades of Kylie. Agree.
Beak> - Big Top. Electro kraut rock - delivered in excellent style
Darren Hayman - Woodland Library. As well as playing recorded extracts from his 'Thankful Villages' album, we were treated at the end to 3 songs sung live. These are stories and songs you can hear countless times without tiring of them
Younghusband - Big Top. Fuzzy guitars; west coast sounds. Played two slower songs in the middle of their set otherwise peppered with tunes from their 'Drones' and 'Dissolver' albums
Meilyr Jones - Garden Stage. Supported with his excellent band (featuring Euan from Younghusband) this set was simply brilliant. During one song Meilyr dropped vertically from the stage as if through a trap-door. We were pretty close and it looked impressive; I guess there were people further back to whom he would simply have disappeared. Marvellous fun in the rain.
Martha - Tipi Tent. Their lyric 'Blisters in the pit of my heart' summed up this raucous nu-punk from Durham. Androgynous guitarist had his hair in pig-tails. Shared most of the vocals with the other guitarist creating a Billy Bragg soundalike in places. 'Curly & Raquel' was introduced as a song inspired by 'the greatest romance of the 20th Century'. Liveliest band of the weekend including a mosh-pit for 30-somethings and the odd crowd surfer.
Goat - Woods Stage. Fantastic costumes - allowed us to step momentarily into a Womad-infused world
Steve Mason - Big Top. Our plan had been to watch the first 20 minutes and then go to see 'Fews' - but one look at each other during the opening chords told us that wasn't likely to happen. The sound was so good; band so good; Steve M so good - we went nowhere.
Ezra Furman - Garden Stage. The Saturday night clash was always going to be one to grapple with (Ezra v Bat For Lashes). We always said we would go with flow, and hearing BFL already in full swing with songs from recent 'The Bride' album we plumped for Ezra. Wearing the now customary dress he delivered a superb mix of his classics and tunes off his new covers EP, starting off with 'Teddy, I'm Ready To Rock And Roll'. Excellent
BC Camplight - Tipi Tent. Wonderfully orchestrated tunes. One's to follow up on
The Big Moon - Tipi Tent. This band always look like they’re having so much fun. The bands stunning appearance was enhanced further today by one of the band members playing the set in the EOTR post-man uniform. 'Formidable' was once again a stand out song between their lively single releases.
Seratones - Tipi Tent. From Louisiana. Occasional hints of deep south but in reality these were simply excellent guitar songs with vocals delivered by a vibrant female singer.
BE - Garden Stage. Introduced by a soundtrack of bee calls with an enlightening description of the many and varied sounds. The band then took to the stage to play recently released 'One' album with the bee soundtrack accompaniment. Spellbinding in parts. Rather like early Floyd, 20 minutes of admiring the musicianship earning you the right for the 'hairs standing up on back of neck' moment at the crescendos.
Pinegrove - Tipi Tent. US six-piece. Summery, quirky tunes. Think Paul Simon with occasional Beach Boys thrown in. Time changes that really kept the interest.
Dr Dog - Woods Stage. Americana indie/Country. 10 years since we first stumbled across this band. Wonderful to see they'd not slipped completely off the radar.
Bill Ryder-Jones – Garden Stage. A great set, shades of Pernice Brothers in some of his numbers. Possibly a 45 minutes would have suited rather than the allotted hour.
Flamingods - Big Top. In terms of football formations: first half: 2-4; second half: 1:5. Manic tunes with a Latin under-groove. Lead Singer jumped the barrier in last song. As the crowds parted I managed to grab a leg and with assistance from an initially unwilling crowd we got him to surf to victory.
Broken Social Scene - Woods Stage. Another coup for this festival. This seven strong band were playing for the first time in 5 years. Today with 4-man brass section and guest female vocal. Great to hear some of the BSS classics
King Gizzard & The Wizard Lizard - Big Top. Like buses, bands with two drummers are scarce, but to the old adage two came along at once this evening. KGATWL Are a seven-strong outfit playing manic tunes with elongated bluesy guitar breaks
Thee Oh Sees – Garden Stage. Second band running with two drummers, and didn’t they generate a fantastic sound. A real crowd-pleaser. Played old numbers plus a good selection off recent album ‘A Weird Exits’.
Thank you End Of the Road. Early-bird tix already in the bag for next year !!