t's often said that the environment influences the art produced from it. Blood Red Shoes (BRS) explained during a recent Tim's Twitter Listening Party (TTLP) that 'Ghosts On Tape' was written in Downtown Los Angeles close to the area where serial killer Richard Ramirez (the 'Night Stalker') committed some of his crimes, and they confessed their love of true crime podcasts and documentaries you understand how the environment may have influenced this darker, moodier 6th full length BRS album.

Black Midi's new album 'Cavalcade', released (formally) on 'New Music Friday 28th May is available on streaming services and in some shops today. The band kindly gave a sneak preview on Wednesday evening via a free YouTube listening party. First impression:

Fiddlehead are a band that came about by accident several years ago when singer Pat Flynn and his then-roommate, guitarist Alex Dow, decided to work on some songs and joined up with guitarist Alex Henery following the break-up of his band, The Basement. Drummer Shawn Costa and bassist Casey Nealon make up the current line-up.

The latest album from folk troubadour M G Boulter – Clifftown is a wonderful collection of 12 songs based on reflections, memories and stories about Essex coastal locations, mainly in the locale of Southend-On-Sea. These themes are successfully combined through deeply personal and sometimes homely lyrics without wandering into cliché territory.

When TheRockClub sent me a link for ‘Shadow Land’ by Ben de la Cour with the question if I would like to review it, I briefly clicked on a few tracks and replied, “Yes, sounds right up my street”. It was only once I started listening properly that I realised just how totally up my street this was. I have not been able to stop playing it since.

Listening to a record for review reminds me of listening to albums in my early teens. Anyone who grew up before online music will remember how you could only afford so many records, so once you had bought an album you played it over and over until you liked it. When I get an album for review, I feel that in order to do it justice I should play it at least ten times. Then I start reading about the artist, perhaps listen to a podcast, follow them on social media. And after all that I can’t help being drawn in. This is something I have now invested in, and I am bound to like it. Of course albums that grow on you are the most enduring in the long run.

In a week when the press is commenting on the trend towards solo artists dominating the music landscape and the consequent demise of bands, it’s a refreshing tonic to hear an album like Rehearsal from Australian ‘garage punk’ outfit Skegss. The words garage punk intentionally placed in inverted commas here as I’m not certain this label truly applies to (or would be welcomed by) this band, such is their penchant for producing songs across a wide variety of styles all with witty lyrical content and unfailingly packing a punch at every turn.

Press play on opening track 'Goodtimes', and you're met by a synth line that melts into shimmering guitars, before first line on the album states "I just wanna have a good time, I don't wanna waste my whole life"............we all echo that thought guys, and listening to this album on repeat helps with that.

William The Conqueror is the name of the band led by Scottish-born songwriter Ruarri Joseph. It’s also the name of Joseph’s alter ego and subject of his semi-autobiographical book. As to the band’s sound, they are described in some quarters as a rock folk outfit, elsewhere as a power trio. For me a useful reference point is Willy Mason, with a huge sprinkling of Bob Dylan.

Many of you will know Jon Boden from being the recipient of a record number (11 to date fact fans) BBC Radio 2 Folk Awards, a member of folk duo (with Jon Spiers) Spiers & Boden, as creator and performer of the 'Folk Song A Day' website and most famously as band leader of the much missed (and for the record one of the best live bands you're unlikely to ever see again) folk big band Bellowhead.

The new full length release from Benjamin John Power a.k.a. Blanck Mass (and one half of Fuck Buttons) is something of a departure. Consisting of only two tracks (one per side of the nicely coloured vinyl), it’s a genre defying album that branches out from Power’s usual sound in a way that’s immensely creative and satisfying.

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